About The Exhibition Curatorial Statements Essay: Tatiana Pavlova Essay: Guennadi Maslov Included Artists The Gosprom Group Artists' Works
  • › Andrey Avdeyenko
  • › Igor Chursin
  • › Igor Karpenko
  • › Boris Mikhailov
  • › Anatoly Makienko
  • › Oleg Malevany
  • › Grygoriy Okun
  • › Eugeny Pavlov
  • › Roman Pyatkovka
  • › Sergei Solonsky
  • › Igor Manko
  • › Guennadi Maslov
  • › Misha Pedan
  • › Sergei Bratkov
  • › Boris Redko
  • › Vladimir Starko
  • › Leonid Pesin
Video Interviews Download E-Catalog

1st Exhibit 1970 to mid-1980 2nd Exhibit mid-1980 to 2000 3rd Exhibit Contemporary 1 4th Exhibit Contemporary 2>

-------- VASA Current Exhibitions VASA Exhibition Archive

VASA Home

Vladimir Starko

Starko© Vladimir Starko, Self-Portrait

About The Artist:

While Kharkiv photographers were experimenting with montages, overlays and hand-coloring thus changing the look of traditional photographic images, Vladimir Starko (b. 1956) chose to work exceptionally with black and white film and even consiously refused to crop his images. He printed them full-frame or not at all.

Starko is represented here by his work of the early 1980's, but he was an active photographer until mid-1990's. In the late 1980's – early 1990's he belonged to the Gosprom Group, and this new documentary black and white reality became one of the group's key aesthetic principles.

Contemporary audience read Starko's images as strictly anti-Soviet. His The Window series spoke about the Iron Curtain which banned the Soviet people access to the rest of the world. The Twinkle, Twinkle, Little Star series showcased the deterioration of the main Soviet symbol.

Author's statement

Photography is a mirror; the camera is like sissors, it cuts out the part of reality corresponding with the artist's perceptions, thoughts and even philosophy at the moment of pressing the shutter release button. So any interference with the image, cropping included, is a sign of inferiority, as if photography itself weren’t good enough.

Twinkle, Twikle, Little Star

I lost my communist ideals quite early. When I was a fifth-grade school kid I put my red pioneer scarf in my breast pocket instead of tying it the proper way. I was immediately called to the school principle for a disciplinary talk. The Star series demonstrates the commonly shared Soviet people's attitude toward Soviet symbols. A five-cornered star, once a symbol of the Devil, was chosen by the communists to scare, but it lost its intimidating qualities and turned into a meaningless routine sign of everyday life that nobody cared to notice.

View Portfolio: Portfolio: Untitled

View Portfolio: 36 Views of Mount Karadag

View Portfolio: Twinkle, Twinkle, Little Star

View Portfolio: Windows

 




 

  1.  

 

We welcome your comments. VASA Exhibitions are the result of various curators, artist, and photographers.


› Return to top

Home | Journal on Images and Culture - VJIC | Exhibitions | Contact